1 presents the contemporary media as a kind of “exception to the logic of” continuous development of stuttering (stammering) trend.
2. “old” media such as film and television, they are dead but not dead.
3. points to a diagnosis of schizophrenia and critical audio-visual (a / v, the acoustic / visual) culture of symptoms.
4. delirium (delirium) is a socio-political in nature and the world-historical.
5. the film is already a field analysis of the concept of schizophrenia, the situation in contemporary visual culture among the more confirmatory and universality.
6. the field of image analysis of schizophrenia to recognize the “real as illusion.”
7. the image of strength to the inherent heterogeneity of presented itself.
8. potential is a real strength.
9. image has the power to their play.
10. feelings (affect) is a self-sufficient force.
11. forger who, magicians, charlatans who, crooks, cunning and paranoia of the believers who were to be false signs and symptoms of power producers.
invisible machine
We do have good reason to believe that digital technology has completely changed the status of the media: the old mass media such as film, television and radio have been is more fragmented, non-hierarchical, and tubers (rhizomdiadora italiaatic) replaced by forms of media. However, this view can only be partially true. By observing the image of contemporary audio-visual media production level, I will film the movie machine devices or changes in the field of media and cultural schizophrenia as the starting point for analysis of the Declaration.
famous 1970s film theory as a device, “Visibility of the machine.” This view is the idea of ??the potential that the film can have a “real image” or “illusion as reality.” So the film is seen as a kind of support determined by the ideological position of the main body of the mass media. However, in this example of contemporary media culture which has been altered: audio-visual digital culture images are no longer “be treated as a real illusion” to attract us, but rather “as the illusion of reality” to attract us.
this change lies in the film machine unit itself, it should now be regarded as analysis of the heterogeneity of schizophrenia link producers and diversity – it closely with other audio-visual media forms together. Digital film machine unit must be seen as a complex clusters of schizophrenic “invisible machine.”
1, presented as a contemporary media as “the logic of exception,” continued the development of stuttering (stammering) trend.
laptops, mobile phones, network cameras, ipod, satellite television, web 2.0: new forms of media like no deep roots of wild plants (rhizomes tubers), like growth, they always grow in a more old media (newspapers, films, radio, radio and television) between. It is undeniable that the “old media” has been changed so it does not mean they are in the tuber-like networks completely disappear. TV news is no longer the only source of information, CNN and the Arab satellite channels in the competition, their blog and domestic news media in the competition, the proliferation of advertising on the network, Youtube and Twitter will become the media of all producers. But deeply rooted in the woods does not mean that the following will grow too quickly. Media has become personalized, fragmentation, specialization, and open technology, but they are still the mass media. So, this is not a non-growth logic of this is he, but an eternal growth process. Contemporary media culture can only be thought as a kind of “and … and …” shows a logical trend in the form of stuttering. This is a strength of schizophrenic logic and analysis must turn to the diversity of schizophrenia.
“We hate the tree, it is because inside our heads covered with grass.” When Deleuze and Guattari in their “A Thousand Plateaus,” which introduces a non-hierarchical model of the tubers, they said. At the same time they pointed out that in each tuber, the trees can and the same as the tubers grow. So, this is not a platitude: the old media is a tool of capitalist ideology, and the new media we question this ideology (interpellation) to liberate. The media “old” and “new” are two different ways of thinking and behavior, they are both positive and negative side, both to produce the most beautiful creation is also capable of producing the most horrible suffocation. Media is a complex and interwoven network, which consists of grass and tree structures.
2, “old” media such as film and television, they are dead but not dead.
the old mass media like a zombie or vampire, as has a strong regenerative capacity, the following examples confirm this.
a every Saturday night, “Idol,” “Ice Dance” and other popular TV shows and other programs are still able to attract a large number of viewers sitting in front of the TV. Not to mention the Dutch BNN show “large donations show”, and it can attract each a millionaire and 30,000 potential new donors, it already is the world major news. Film still retains or can regenerate a diverse appeal.
b is no longer the news media is indeed the most important producers or distributors, but it still has filtering. Only when the publicity is a network of eight o lock news, it only became really popular and widely tracked (like the Dutch “jump” – dance as propaganda). In this sense, the traditional media has become the network “manager.”
c mass media also use the new forms of media: foam broadcast (podcasting) is still a form of broadcasting, at eight o lock, eight o lock news is still news. “Did you miss the audience? You are not too timid and afraid to look at (large donations show)? Try again”, BNN Broadcasting Corporation on their website said so. In this sense, the new media did not weaken the power of traditional media, but is to enhance its strength. Fragmentation and diversity in all, has become a huge mass storage devices, databases and audio-visual files.
3, pointing to a diagnosis of schizophrenia and critical audio-visual (a / v, the acoustic / visual) culture of symptoms.
culture through the promotion of media analysis of schizophrenic, I am not advocating a pathological culture, nor is it called for one kind of madness disease. However, the clinical symptoms of schizophrenia does point to characteristics of contemporary visual culture, but also in criticism of this feature.
positive symptoms: an overflow of energy, intensity, and anything else connected with the liberation and re-create the explosion. As Deleuze and Guattari put it: “Connecticut-Connect-I-Cut”: the machine and body, the body starting from their own standards to liberate themselves (BWO, the Body Without Organs body without organs).
negative symptoms: intensity into a tense, inertia, apathy, implosion. Each of the production of both evoke its own counter-productive. This is the “capitalist schizophrenia” The internal core of the system (axioms), as Deleuze and Guattari have pointed out. Our image culture more of a schizophrenic delirium, more like a psychological analysis of dreams.
4, delirium is socio-political and historical world.
schizophrenia, delirium is located in the individual nature of the Oedipus dream the other end. The first is collective delirium, social and political in nature and the world-historical. In the “alienation” (Allienations) documentary which, Marek the Ismail (Malek Bensmail) shot in Algeria psychiatric clinics and doctors. Patients in extreme excitement, muttering and tension between the constant activity of. At the same time they coach shoestalk about is incredibly sharp, they continue to talk about the social and political nature of the topic.
This documentary also shows the differences between doctors and patients are no longer as big as before. Everyone felt that the contemporary situation crazy. Not only doctors and patients, and filmmakers and the audience are involved in the inner – and we share the same audio-visual media of our society delirium.
5, the film is already a field analysis of the concept of schizophrenia, the situation in contemporary visual culture among the more confirmatory and universality.
As 伊恩布坎南 (Ian Buchanan) has argued, “the body without organs” (body without organs), “assembly” (assemblage) and “abstract machine” the spirit of these three The concept of schizophrenia schema Deleuze called the Trinity reveals the cinematic image of the basic model. It comply with the framing (frame), camera and montage of logic. Viewfinder to select and scoping of the solution (deterritorialize) the image to a new way (without the body organs) to render a scene shot inside a closed variety of factors combined (assembly), a viewfinder, and the montage the strength of a link between the lens (abstract machine).
cinematic images but also operating a media culture more “abstract machine”, where it can be added to the power of a hegemonic and resistance.
6, the field of image analysis of schizophrenia to recognize the “real as illusion.”
classical film theory, film-based images (or as an intermediary image) concepts such as “express”, “effect” or “true illusion”, etc., has become a kind of “illusion as The real “image. This insight changed schizophrenia (Deleuze and neurobiology style) found that it considers the image has its own inherent nature of power (its ability to act on our hearts, to act on the world). Analysis of media culture schizophrenia at least consider the inherent nature of the four images (self) power: the potential power of performative speech acts of force, false feelings of power and strength.
7, the image of the internal heterogeneity of forces to render itself.
these forces do not provide a clear analysis of patterns. They all show the level of form and type of their own, they are anything change between the good and bad, noble and humble.
8, is a real potential strength.
“no realistic images than being surrounded by a large group of potential images.” Sentence Deleuze motto at all times pertinent. We see any image with other images in various ways to place the resonance (resonate), which includes images from our personal and collective memory of the memory image, to imagine the images, movies, images and other media and so on.
our memories stored in the film, video and film images into memory. In the movie “The Lady from Shanghai” (The Lady from Shanghai) to compete with each other in the real and imaginary, potential and reality to form a loop, the whole movie is like a hall full of mirrors. Hitchcock fiction into a collective memory. Collective memories and fictional infected color (Oliver Stone “JFK”?). Laura Dunn (Laura Dern) in “Inland Empire” (Inland Empire) in the Where? : In the moment, in the past, Poland, the United States? In the real or imaginary events of that level … … she is or has been trapped? In this film, it is not exactly the scene of her death, but clearly indicate the fictional, because we see a wide-angle lens is suddenly turned into a box to expand the view. This is one of the most naive of social reality?
9, the image has the power to their play.
analysis of media and cultural recognition of schizophrenic Another strength is the power of speech acts, is that Deleuze “discourse act (act de parole)”. Perhaps we should call “image behavior (act de I mage)”. Language philosophers convincingly demonstrated long-term performance of the power of words: a way to force something or done something of the force. In this sense, the words manipulated reality. Images have the same type of speech act (or possibly more) performative force.
even though everyone knows the image is performative, it still has an effect: it penetrates our consciousness, its own place among the images and the like. Of course, this effect is not new. Promotional image is such a long time at work. But this force the consciousness beyond the publicity. All images are the creative force of this speech act.
So, in a similar style, the images can be used in terms of story, to a minority ethnic band playing, that is, “to create the people” (creating a people). Image is a positive force can not be underestimated. “Battle of Algiers” (The Battle of Algiers) film on the Algerian war of independence has become a part of.
in the “Battle of Algiers” film video content level, the image of Algerian women are very conscious of the performative power: bleached hair, a perfect French accent and elegant dressed, the city never closed the French barricades. In a recent French film, this information is cynical: France, an ordinary man suddenly realized that a random ID checks and the whole social system of the absurd: he was eventually locked up in a police cell, then was sent to psychiatric hospitals, and finally lost their jobs. But if we create a false resume, subject to the social “rules of the game” and the lack of too many critical questions, everything will become normal up: how is this like? Very good! (? A va? Très bien merci!)
10, experience is a self-sufficient force.
schizophrenic feeling (feeling) is always too much: what is too much, too much injustice, too many can not tolerate sexual, too many images, it is always weaken the perception mechanism ability. But it is feeling (affect) to create more space. Deleuze shows how close-up experience is linked.
close-up lens is one of the most typical and most striking feature of the cinematic style of / audio-visual images. In what sense does the film contribute to the experience? Close-ups of faces and other body parts or objects to obtain a feeling or impression of the quality of performance. Eye lost its global perspective, disordered images directly touch us. “There is a feeling the power of self-sufficiency,” Brian Massu meters (Brian Massumi) said. Feel independent of the story or content.
feel the political level, it shows a unique gesture. Helen Mirren (Helen Mirren) as Queen Elizabeth, she gradually found that “the Queen on behalf of state” of such a representative of the force, which will this belief into the hearts of the Queen, “the power of such a sensitivity.
11, counterfeiters are, magicians, charlatans who, crooks, cunning and paranoia of the believers who were to be false signs and symptoms of power producers.
final We are back to being the first time that Deleuze, Orson Welles analysis of schizophrenia cases in the “fake” (F For Fake) film in Wales to play a magician introducing another liar story forged master Emile Prudhoe Iraq (Elmyr de Hory) in ten minutes forged out of Picasso masterpieces: the world is not a museum and the original can be distinguished. magicians know all this, but no people know how to operate the illusion of reality. art forger and destroyed copies of the differences between the original. liar manipulation of our expectations and learning to see (like “Lost” in the sand Young (Sawyer)). Artist (Director) of the most original and most generously to manipulate the game.
false power is being demonstrated is very difficult to restore the true, most of the time this is just a matter of choice, which a sensitivity of choice, even if it is often trapped and rational debates, moral principles or doctrines and beliefs into, but the real ethical evaluation is certainly creative potential, and this is the ultimate motpuma wikiivation for counterfeiters in the “illusion person “(Illusionist), we do not know Aisenhaimu (Eisenheim) if the start of his magic, but the Ombudsman Orr (Uhl) decided he knew what happened. The real magic or a trick is actually insignificant, love Sen Haimu motivation (love life) but the more important.
media is an inherent nature of the system, it relies on its own as an abstract machine, it always grows, expansion of and production of: from the most cruel and horrible to the most beautiful and noble and it is always the production and anti-production. schizoid analysis is not a disease, but as the power to understand the inherent nature of the image of a process and methods, as we They must be first split operation (but not crushed) are.
brain and screen with an intimate and complex to maintain contact, whether good or bad, the camera has been through our awareness, but also determines the brain on the screen we can see how many parts, whether they are good or bad. film machine unit is no longer a cause visibility of the machine, a visible machine.
visual culture of the new instructions with the fact that the film industry: the screen is between the world and the brain cell wall, it is the image of the intermediary, which produce a variety of “invisible” power, it should be seen as “not visible machine “.
Author Description:
Patricia? products Manchester (Patricia Pisters) is a media culture and the University of Amsterdam professor of film studies, but also the media Studies of the Head of her were included Megan, Paris and Amsterdam, studied English, French and Film Studies from 1993, she began as the University of Amsterdam study of film and television guest lecturer in 1998 she passed her PhD thesis, entitled “From the eye to the brain – Deleuze: the main body of film theory in the reconstruction,” the article dedicated to the research works of Deleuze philosophy and its significance of film theory, she was once a famous movie magazine “Skrien” editor, has served as the Rotterdam International Film Festival organizers and the Netherlands Foundation for Culture, Radio, , she is director of the Netherlands Association (DDG) member of the advisory committee.
She works mainly on: the issue of perceived attributes of the film philosophy, the ontology of the image, the screen political culture and on the “brain that screen,” the theme of neuroscience research is currently published works include “The matrix of visual culture : study together with Deleuze in film theory “(Stanford University Press, 2003),” Shooting Family: Cross-national media and cross-cultural value “(with the temperature? Shi Tate, eds, Amsterdam University Press, 2005) “Note that the screen” (and zap? Kuzha Man, Wanda? Shitelaofen eds, Amsterdam University Press, 2008) she received in 2010 during the Bauhaus University in Weimar, Germany IKKM Media Philosophy funding, completed a book entitled “Neuroimaging: Deleuze philosophy and digital movie screen culture” manuscript, forthcoming from Stanford University Press. The book puts forward in the digital era, a new screen image mode: nerve Images in July 2010, she and Rossi? 布拉伊多蒂 professor at the University of Amsterdam officiated at the International Deleuze Studies, the meeting will include art, science and philosophy, divided into exhibition and conference on Germany Razvan two parts of the theory of public debate, which she chaired the Amsterdam study of Deleuze website address: www.deleuze-amsterdam.nl
